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The Museum in the Twenty-First Century: Crisis of the National Model and the Emergence of Decentralised Structures

Working paper — Museum Studies / Public Law

An inquiry into the structural pressures confronting the classical national museum model, charting the emergence of distributed and post-national institutional configurations in response to political, financial, and epistemic crises.

The Institution Without Territory: A Legal Theory of the Post-National Museum

Working paper — Museum Law

A legal-theoretical framework for conceptualising museums that operate beyond the jurisdictional and symbolic boundaries of the nation-state, drawing on public international law, heritage law, and institutional theory.

The DAO as a New Form of Governance: Potentialities and Limits

Working paper — Governance / Web3

A critical assessment of Decentralised Autonomous Organisations as candidate models for cultural governance, examining their constitutional logic, democratic potential, and structural contradictions when applied to public institutions.

The Decentralised Museum: Web3 Governance Frameworks and the Case of the Centre Pompidou

Working paper — Museum Studies / Web3

A case study examining how blockchain-based governance frameworks interact with the institutional architecture of a major public museum, using the Centre Pompidou as a test for the applicability of decentralised models.

Distributed Curation Between Cultural Democracy and Expert Authority: Toward a Hybrid Governance Model for the Decentralized Museum

Working paper — Curatorial Theory / Governance

An exploration of the tension between participatory curation and expert authority within decentralised institutions, proposing a hybrid governance architecture that preserves epistemic standards while broadening democratic legitimacy.

Convergence as Surrealist Principle: Against Fragmentation, Toward Union in Esaias Thorén's The Red Evening (1936)

Working paper — Art History / Halmstadgruppen

A close reading of Esaias Thorén's The Red Evening as a manifesto of convergence within Swedish Surrealism, arguing that the Halmstadgruppen's collective logic resists the isolating tendency of orthodox Surrealist practice in favour of a unifying pictorial and philosophical programme.